Antique Middle Eastern/Oman High-Purity Traditional Bangle (Nujoom Style)
Bracelet (Bangle/Cuff) · Yellow Gold (Traditional Alloy). The alloy likely contains minimal copper/silver, though significant surface oxidation or patina is present.
Purity: Likely 20K to 22K (83.3% to 91.6% gold). High-purity gold is standard for Middle Eastern traditional jewelry to ensure investment value and malleability for intricate hand-tooling.

Type
Bracelet (Bangle/Cuff)
Purity
Likely 20K to 22K (83.3% to 91.6% gold). High-purity gold is standard for Middle Eastern traditional jewelry to ensure investment value and malleability for intricate hand-tooling.
Gold Type
Yellow Gold (Traditional Alloy). The alloy likely contains minimal copper/silver, though significant surface oxidation or patina is present.
Weight
Estimated 80 - 120 grams. These traditional cuffs are often heavy and substantial, though some versions utilize a repouss technique to create volume with less metal.
Description
This is a magnificent example of traditional Omani jewelry, specifically a heavy gold cuff known for its 'stars' (Nujoom) and geometric filigree. The piece features high-relief chasing, intricate granulation work, and colorful stone accents. Its substantial presence and historic patina make it a centerpiece of regional metalwork.
Key Features
Distinctive bulbous terminals; intricate hand-applied granulation (beading); lozenge-patterned filigree; and a deep U-channel cross-section.
Color & Finish
Deep, rich yellow gold with a significant dark patina/toning in recessed areas. Features a mix of hand-engraved, granulated, and embossed-chased finishes.
Hallmarks & Stamps
None clearly visible in image; typical of antique regional pieces. Use of purity stamps in this style often appears on the interior rim or near the terminals if present.
Dimensions Estimate
Large diameter (approx. 65mm-70mm internal), width of band approx. 25-35mm at widest point. Oversized traditional fit.
Gemstones & Inlays
Small cabochon inlays, likely glass paste or semi-precious stones (simulated ruby and emerald), set in simple bezel mounts surrounded by gold granulation.
Clasp & Closure
Open-ended cuff/bangle style. The terminals are bulbous and decorative, designed to be worn without a hinge or clasp, relying on the metal's slight flexibility.
Chain & Links
N/A - Solid cuff construction with a curved U-shape profile and raised decorative borders.
Craftsmanship Details
Exceptional hand-fabricated work. Uses 'chasing' and 'repouss ' for the main body, with cold-set bezel work for stones and hand-soldered granulation beads.
Authentication Indicators
Color depth suggests high gold content; handmade irregularities in the granulation; weight-to-volume ratio characteristic of solid regional gold alloys.
Origin & Maker
Likely Oman or the Arabian Peninsula. Hand-crafted by a traditional village metalsmith using hammers, chisels, and soldering pipes.
Era & Period
Late 19th to early 20th Century (Traditional / Bedouin / Omani style). Indicators include the specific lozenge-shaped filigree patterns and heavy granulation.
Age Estimate
Circa 1880-1940. The wear patterns and style of stone settings suggest significant age and traditional manual production methods.
Cultural Significance
Represents the status and heritage of the Dhofar or Muscat regions, blending African, Indian, and Arab metalworking influences from Indian Ocean trade routes.
Condition Notes
Very Good - Antique. Displays characteristic patina and some surface abrasions consistent with age. Settings for the glass/stones appear intact but show wear.
Value Estimate
Primarily valued for its high gold weight (spot price) plus a 20-40% premium for antique craftsmanship and regional rarity. Estimated $6,000 - $9,000 USD depending on exact weight.
Care & Maintenance
Gentle cleaning with a soft cloth only. Do not use ultrasonic cleaners or harsh chemicals as they may damage the aged patina or loose stone settings.
Similar Items
Yemeni Bedouin Silver Cuffs (often similar in shape but lower value), Indian 22K Kada Bracelets (often more floral in design).
Interesting Facts
In Omani culture, such jewelry served as a portable form of wealth for women and was often part of a bride's dowry (Mahr).