Modernist Abstract Figural Cast Plaque (Likely Gold-Brazed or Bronze Alloy)
Art Plaque / Sculptural Object · Likely Yellow Gold plated or Bronze alloy; exhibits a deep brassy/bronze hue typical of 18K plated over base metal or architectural bronze.
Purity: Indeterminate; visually consistent with heavy gold plating or a high-copper bronze alloy. Lacks visible karat stamps (14K, 18K) required for solid gold identification.
Type
Art Plaque / Sculptural Object
Purity
Indeterminate; visually consistent with heavy gold plating or a high-copper bronze alloy. Lacks visible karat stamps (14K, 18K) required for solid gold identification.
Gold Type
Likely Yellow Gold plated or Bronze alloy; exhibits a deep brassy/bronze hue typical of 18K plated over base metal or architectural bronze.
Weight
Estimated 80-120 grams depending on thickness and core material (solid vs. hollow back).
Description
A striking Modernist plaque featuring two abstract, elongated human figures in a ritualistic or dance-like pose flanking a central floral or celestial motif. The piece utilizes a high-contrast 'sand-cast' background against sleek, high-polish relief, encased in a fluid, non-geometric border that echoes the Art Nouveau revival characteristic of the 1970s.
Key Features
Stylized ‘stick-man’ figural work; heavy sandblasted texture juxtaposed with polished ridges; unique asymmetric ‘amoeba’ outer frame.
Color & Finish
Deep, aged yellow-bronze color with a heavy sand-cast texture on the main field and polished raised figurative elements. Patina suggests oxidation consistent with base metal or low-karat alloy.
Hallmarks & Stamps
Contains a stylized artist monogram (possibly 'JR' or 'AR') in the lower right corner. No standard fineness hallmarks (like 750 or 585) are visible on the face.
Dimensions Estimate
Approximately 3.5 to 4 inches in width and 2.5 to 3 inches in height; oversized for a buckle, more consistent with a desk piece or small wall plaque.
Gemstones & Inlays
None; purely metal-relief construction.
Clasp & Closure
Not visible. If a belt buckle, would possess a bridge and pin on the reverse; if a plaque, likely a flat or concave reverse.
Chain & Links
N/A; singular solid cast object with a raised smooth perimeter border.
Craftsmanship Details
Lost-wax casting or sand casting method. The soldering or finishing of the edge is smooth, showing competent hand-finishing after the initial pour.
Authentication Indicators
The absence of a hallmark is a significant indicator that this is likely a base-metal alloy (bronze/brass) with a decorative gold-toned finish. Red flags for solid gold: uneven coloring in recessed areas and lack of professional jewelry stamps.
Origin & Maker
Likely an independent studio artist or boutique metalworker. Signature suggests a limited-run artisan piece rather than a mass-market brand.
Era & Period
Modernist / Brutalist (circa 1960-1980); characterized by organic shapes, rough textures, and abstract human figures.
Age Estimate
Likely produced between 1970 and 1990 based on the figurative style and casting technique.
Cultural Significance
Reflects the post-war shift toward expressive, abstract art in everyday objects, moving away from traditional ornate jewelry toward 'wearable sculpture' or 'architectural miniatures'.
Condition Notes
Good condition; shows surface oxidation typical of gold-plated bronze. Minor scuffing on the raised polished surfaces. Depth of texture remains sharp.
Value Estimate
Primarily artistic/collectible value. If base metal: $50–$150. If solid gold (unlikely without marks): Melt value + 20% premium. Current scrap value is negligible unless verified as high-karat.
Care & Maintenance
Clean with a soft, dry cloth. Avoid chemical jewelry cleaners which may strip the plating or patina. Store in a dry environment to prevent further oxidation/verdigris.
Similar Items
Modernist bronze belt buckles by Renoir/Matisse or Brutalist sculptural plaques by independent artisans of the 1970s.
Interesting Facts
Items like this were often produced in the mid-20th century as part of the 'Studio Jewelry' movement, where the artistic expression of the design was valued more highly than the intrinsic metal content.